Stylistic Confluences: the National Ethos and the Universal in the Artistic Development of Chopin, Enescu and Silvestrov

The model of Creation is one that reveals the usefulness, meaning, and beauty “sharing”. Artistic creation, in present study musical one, explained at least by understanding, or knowledge beyond individual limit creator, precept externalization, even if this a revelation to single being God. Frédéric Chopin, George Enescu Valentin Silvestrov are composers who, different periods, seek, their artistic development, value national elements, but also way integrating them into what called „universal,” therefore an addressability crosses country borders, towards human space, soul. Of nationalities, Polish, Romanian Ukrainian respectively, these musicians know live other cultures (Chopin Vienna Paris, Berlin), which help create spirit synthesis, reinterpretation, metaphor. In way, we point mutual understanding composition, determined informational-spiritual interchange, dialogue feeling. confluences build personality, accumulation gives rise desire for choice, obtain one's own expression. feeling element unique synthesis emblematic shade transmits identity data music, such as physical location related sensibility people. processing symbols does not constitute constraint creation mentioned composers, because transformation relates reception “other” who can come from any ethnicity represent it place world. These observations be relation scores some instrumental works (for solo piano violin piano) Enescu, Silvestrov. biographical analysis lead style each built within itself, through proximity self – “the other”, reformulation rediscovery; style, defines self, itself “other”.